A review of Motherline by Lisa Rosen

Motherline is a bit like a coming-of-age story—Maggie is facing first-time motherhood, saying goodbye to merely being a daughter and granddaughter and now having to face responsibility for another human being, thus continuing the “motherline” of generations of women that had gone before her, while Katharine is still grieving the son that she lost but trying to move forward into her new role as grandmother (and eventual family matriarch) in her own way.

Imagination, Wit, and Madness: The Wapshot Scandal, a novel by John Cheever

John Cheever is a wonderful writer, and his novel The Wapshot Scandal contains observed life and imagined adventure, bringing together ancient rituals and bourgeois affections and habits, private desires and deceptions and public reputations, romance called to reconcile a reality that resists, supernatural suspicions that subvert reason, and mournful, surprisingly poetic interrogations, as Cheever examines family and communal life. The novel does not contain stories that offer easy comfort, though their intimate cruelty and sensual pleasure and melancholy do entertain.

A review of Cry Blue Murder by Kim Kane and Marion Roberts

Unique in its telling, the story unfolds as a series of legal documents, police interviews and statements, pathology reports and the e-mail correspondence between the two Year 9 private school students. From within these Police investigation reports and statements, clues are unlocked and our suspicions focus upon a particular suspect who is a member of the school community.

The Price of Isolation: George Eliot’s Silas Marner

It is a remarkable portrait of social misunderstanding, one that is so clear it illuminates current, similar but subtler suspicion of odd individuals in our own world. The money that Marner makes becomes important to him—obvious reward for his work. He is transformed by his isolation, his work, his money, his (often inhuman or at least unsocial) concerns: achieving independence but a spiritual withering.

A Review of The Silent Wife By A.S.A. Harrison

The Silent Wife is not a long book—a little over 200 pages—but Harrison manages to fit a gripping tale into those few pages. The story is told almost entirely in present tense, so it gives the reader an almost unsettling feeling of voyeurism—we’re absolutely watching these characters self-destruct in real time. There is some backstory offered as a way to explain how Todd and Jodi were shaped by their families (clearly dysfunctional in Todd’s case; less obvious in Jodi’s).