One Moment, One Morning gives readers the chance to do something few novels do—take a step back and really think of how delicate life is, and how quickly it can change from moment to moment. Rayner writes realistic, relatable characters who are simply trying to deal with the overwhelming feelings sudden change can bring, and she writes them well.
Category: Book Reviews
Book Reviews
A review of The Last Storyteller: A Novel of Ireland by Frank Delaney
Each line that makes up The Last Storyteller is tight, poetic, and so delicately dense that I suspect I could go through the short chapters with the same careful attention that Delaney is showing James Joyce in his Re:Joyce unpacking of Ulysses, and continually find new references and rhythms.
A review of Charles Dickens: A Life by Jane Smiley
The biography is drawn around Dickens’ novels, which become the timeline for his life. This makes for fascinating reading, coupling literary criticism with a deep analysis of the relationship between life and art. In particular, the book explores the maturation of Dickens’ vision and maps the development of his work to the events in his life, attempting to find answers to the question of who Dickens was, through the material he left us.
A review of Ben’s Challenge by L.M. Visman
Set in 1958 Australia, Ben’s Challenge is at its heart an historical coming-of-age story with a fair dose of mystery and intrigue thrown in. The story begins with news of thirteen-year-old Ben Kellerman’s father’s death in a hit and run. It’s an accident that remains unsolved until the end of the book and is the catalyst for Ben’s transition from childhood.
A review of The Steampunk Bible: An Illustrated Guide to the World of Imaginary Airships, Corsets and Goggles, Mad Scientists, and Strange Literature by Jeff VanderMeer and S. J. Chambers
Somehow the Steampunk aesthetic, whether it be a fondness for clockwork devices or an interest in dressing up in cravats and corsets, has extended to other areas of culture too – and the authors cover these also. They even compare Steampunk to Surrealism at one point, which strikes me as absurd: Surrealism was much more radical, an hard-edged beast.
A review of Irrepressible: The Life and Times of Jessica Mitford by Leslie Brody
Leslie Brody has a big story to tell, and she tells it well, deftly manoeuvring through an extraordinary life filled with multiple significant figures, historical episodes, social action, tragedies, world war, children and writing. Her style is easy and fluent, lively and engaging, enhancing what is a captivating life story.
A review of Schlechter’s Chess Games by Tom Crain
width = “80” height = “110”> This book contains pretty much all of Schlechter’s available games – about eight hundred in number – arranged chronologically by tournament and match; and there is also a section devoted to miscellaneous games: exhibition games, games played at odds, etc. Just the bare score of the game is given; there are no, or to be precise, very few annotations.
A review of The Plot Against America by Philip Roth
The writing is always very competent and sometimes even better than that. Lending interest is a symbolic element in the treatment of stamps (Philip collects them, they get printed with swastikas at least in his imagination, Lindbergh is an aviator who delivered air mail). There is humor, though more in individual passages than woven into the fabric of the writing (but given the nature of the story, that is perhaps understandable).
A review of A Boy Called Dickens by Deborah Hopkinson
A Boy Called Dickens is a great primer to get children interested in what did happen to this little boy, and to read the works of the famed Charles Dickens, who proved that anything is possible through hard work and never giving up on your dream.
A review of How The Mistakes Were Made by Tyler Mcmahon
Although fictional, The Mistakes experience many of the same pitfalls that have cost real-life musicians their careers, if not their lives. Each character is a reflection of the punk rock scene they represent—a group of talented individuals who allow their fans into their world of anger, and frustration while showing them the human being behind the performer onstage. McMahon pulls no punches.