We have a copy of But She Looks Fine: From Illness to Activism by Olivia Goodreau to give away!
To win, sign up for our Free Newsletter on the right-hand side of the site and enter via the newsletter. Winner will be chosen by the end of July from subscribers who enter via the newsletter. Good luck!
A Memorial With Liminal Space speaks eloquently and intimately-one of those hallowed late-night conversations with someone you’ve known for a very long time. Reading this book helped me feel more connected to myself, the larger world, and loved ones that have passed, and that is a beautiful feeling I am deeply grateful for.
The grim urban setting of Ravage & Son, its violence, cast of criminals from all classes, and atmosphere of pessimism and disillusionment are characteristics of the noir genre. In Charyn’s story, we see a promising youth who was given the chance to make something of himself in the world’s terms, yet chooses a different course for several reasons and eventually is defeated by the milieu he sought to clean up.
Meredith Stricker is an artist and poet working in cross-genre media. She is the author of six poetry collections and recipient of the National Poetry Series Award. Her most recent book, Rewild, won the Dorset prize from Tupelo Press. She co-directs visual poetry studio, a collaborative focusing on architecture in Big Sur and projects to bring together artists, writers, musicians, and experimental forms. In this candid interview she speaks to Yasmine Guiga about her new book Rewild and the challenges she faced, reader expectations, inspirations, the search for aesthetic wholeness, TS Eliot, and lots more.
We have a copy of The Lord’s Tusks by Jeffrey Ulin to give away!
To win, sign up for our Free Newsletter on the right-hand side of the site and enter via the newsletter. Winner will be chosen by the end of June from subscribers who enter via the newsletter. Good luck!
Cottier hides treasures in every poems. Some of the treasures are not easily accessible because the poet very cleverly has hidden them in abstract pictures painted with words. Consequently, some of the poems may need more than one reading to get to their meaning. Others, like a Rorschach test, open a door in your mind and allows you to search for your own meaning which can be an excellent stimulant for the imagination.
The work is immediately hard-hitting, engaging with both the personal and the political in a way that feels as though it is removing layers from skin, revealing a deep vulnerability that is universal. The inherent pull between the many physical, philosophical and psychological impacts of addiction, attraction, joy and loss is rendered with such tenderness that the reader can’t help but feel as though Mitchell is writing about all of us, about the perilous and flawed nature of being human.
Adam Sass spills the tea on his inspiration for writing, the relationship between his different books, his characterised settings, his themes, characters, plots, the influence of Wes Craven, literary breadcrumbs, his next YA, and lots more.
Jane Satterfield vividly brings the Brontë sisters to life, showing them as quietly iconoclastic women in early nineteenth century England, at the dawn of the Industrial Revolution. While providing background in “dramatis personae” sketches and an historical outline at the end of the book, as well as copious illuminating epigraphs to many of the poems.