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Evidence: Fine Young Cannibals’ The Raw and the Cooked, Hootie and the Blowfish’s Cracked Rear View, and Lenny Kravitz’s Greatest Hits

Listening now to Lenny Kravitz’s Greatest Hits—which I picked up at some point, I cannot remember exactly when—I find that there are only a couple of songs (“Again” and “Heaven Help”) that have a power, the style and sensuality, equal to his image. There are performers whose glamour, promising so much, makes it difficult for us to allow them dull music (I think of Diana Ross, Prince, Jennifer Lopez, Eric Benet, and Beyonce). Glamour is treacherous that way.

The Uses of Belief: Susan Werner, The Gospel Truth

Love, instinct, doubt, and the wonder of nature: all part of life, all objects of contemplation—do not deny them, do not simplify them, advises Werner. On “Don’t Explain It Away,” Werner’s singing is well modulated, with a nuance that is the exact opposite of what one expects of a rhetorical inclination or tone; and although the album does not sound explicitly rhetorical it is rhetorical.

Interview with Dorothy Porter

Dorothy Porter talks about her new novel El Dorado, on the “obscure and effete in poetry,” the reasons for and difficulties with writing novels in verse, her narrative technique, and much more.

A review of El Dorado by Dorothy Porter

Once again, Porter succeeds in that impossible juggling act of narrative and poetry. Even for the most casual of reader, El Dorado reads easily as a fast paced, intense and psychologically satisfying thriller. For those who want more than simply a quick escape, El Dorado explores complex topics of childhood innocence and guilt; love and hatred; desire and psychosis with the kind of taut intensity that only poetry can provide.

A review of Trilby by George du Maurier

I think the greatest merit of Trilby is in its obviously deeply-felt evocation of the Bohemian, artistic side of Paris in the middle of the 19th century. I have come across some indication [6] that what Du M wrote may not have been literally true in its details … but it is hard to believe that the spirit of Du M’s writing is not somehow true.

A review of Take a Breath & Hold It by Michael de Valle

Take a Breath & Hold It is a book which doesn’t flinch from life’s blackest, most feared experiences. It faces them head-on, and there are no euphemisms. Death, insanity, jealousy and fear are ever present, in every story, as in every life, and they feel as bad as always. But along with all of that, and even at its lowest ebb, there is still beauty everywhere in this collection.

A review of Landing by Emma Donoghue

The description of modern Dublin is good and it is a pleasure to read an author who is not afraid to take us to Stonybatter or Trinity as naturally as an American novelist would take us to Halstead Street or the Bronx. The reticence of some Irish writers about specific locations can be exasperating.

Interview with Jackie French

In this fascinating and extensive interview, the author of Pharaoh (to mention just one of Jackie French’s extensive titles), talks about the writing and researching of Pharaoh, the critical importance of history and books to children, the thread that connects all her work, her unlikely hero, on maintaining passion in life, a big preview of her next book, and lots more.