I have collected Depression Era kitchen glassware along with gadgets, gizmos and thingamajigs for many years. Some I noticed in use in the kitchens of my grandmother and aging aunts. Others I have discovered at garage sales, in jumble shops, and estate sales. Some of the pieces I own are suspended from ceiling hooks, or rest on the walls in my kitchen and breakfast nook, and, some are in use when I slice a tomato or open a can. This particular paperback is my own and has proven itself vital over the many years I have scanned its pages searching for yet another captivating doohickey whose name and function may be as yet unfamiliar to me.
Author:
A review of September Wind by Kathleen Janz-Anderson
Janz-Anderson’s ability to create a ripping tale is very evident and holds her in good stead. Furthering Anderson’s vigilant groundwork is her attention to detail. September Wind is a fast, well written narrative filled with sentiment, courage and reaction. Characters are credible, storyline is well plotted, writing is filled with more than enough importance to keep the reader turning the page.
A review of The Wild Girl by Kate Forsyth
The names of these characters alone would be enough to inspire a novel, but Forsyth goes deeper, exploring a range of themes that includes the impact of tyranny (shown on multiple levels – both domestic and historical), emotional strength and weakness as manifested in drug addiction and prejudice, and the enduring power of the human spirit and love even when under great duress. In short, The Wild Girl is a novel that speaks, like the fairy tales that are woven deftly throughout the narrative, to the very nature of human existence in all of its frailties and strengths.
Tourists with Typewriters: Writers in the Sternthal-Klugman film The Words and Lucy Fischer’s book Body Double
There are many writers in many films. In Body Double, a book of eight chapters, with acknowledgements, afterword, notes, filmography, bibliography, and index, University of Pittsburgh English and Film Studies professor Lucy Fischer gathers together for examination a great bunch of films in which writers appear—Naked Lunch, Smoke, Deconstructing Harry, Paris When It Sizzles, Barton Fink, Adaptation, How Is Your Fish Today?, Swimming Pool, The Singing Detective, and Providence, among others.
A review of It Came! by Dan Boultwood
Dan Boultwood’s endearing homage to British science fiction films of the 1950s and ‘60s (perhaps above all to The Day of the Triffids) is a wonderfully entertaining read. Jokes aplenty lie on every page, many arising from the xenophobic, sexist attitudes of our hero, a smug scientist and period cad named Dr. Boy Brett.
The Importance of Transcendence: Tenor/Countertenor Darryl Taylor’s Fields of Wonder and How Sweet the Sound
Much of classical music has been founded on the sound of the human voice, in imitation of it, or with the voice at music’s center. Darryl Taylor’s album Fields of Wonder is a return to that elemental beauty. The tenor voice—soaring in a high range in its maturity—is the voice with which others seek to harmonize, and it is usually a lyric tenor or dramatic tenor (and, past and present, black male tenors include Lawrence Brownlee, Vinson Cole, Kenneth Gayle, Roland Hayes, Kenn Hicks, George Shirley, Noah Stewart, and Kenneth Tarver).
A review of Fighting Chess with Hikaru Nakamura A Chess Career in the Footsteps of Bobby Fischer by Karsten Müller and Raymund Stolze
Nakamura’s prowess in the endgame, his opening repertoire and in particular his penchant for the King’s Indian Defence, the risk taking and fighting spirit that’s so characteristic of his style, and of course his enthusiasm for bullet and blitz: these are some of the topics under discussion. A wide-ranging interview takes up the bulk of chapter 6.
We have a copy of The House at the End of Hope Street by Menna Van Praag to giveaway. To win, just sign up for our Free Newsletter.
The winner will be drawn on the first of April 2014 from subscribers who enter via the newsletter. Good luck!
Art and Environment: Manufacturing Landscapes, featuring photographer Edward Burtynsky
John James Audubon may have been a naturalist and a painter, but it does seem all that often that one gets to contemplate both art and environmental issues, as with Manufacturing Landscapes, a film that presents the work of Canadian photographer Edward Burtynsky, who focuses on nature and how it has been transformed by industrial use, producing a different landscape, often one of devastation, yet one in which an unexpected beauty can be found.
On Gertrude Stein, and Tragedy and Transcendence in Stein: Writings 1903-1932
In reading some of the description of Gertrude Stein’s life, and how she came to be an art patron—a friend to artists, an owner of their work, a facilitator of relationships—I was impressed by how intimate and simple were the lives of now famous artists, how vivid the memory. One artist spreads news of the work of another artist, Pissarro talking with others about Cezanne; or one gallerist, Vollard, introducing Cezanne, Daumier, Manet, Renoirs, and Gauguin to those who might appreciate them.