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Author:
A review of The Last Days of Troy by Simon Armitage
You know the story. The abduction of Helen. The wooden horse. The fall of Troy.Simon Armitage’s new play is a vivid re-engineering of Homer and Virgil, a meditation on ‘own’ and ‘other’, an unblinkered look at the costs and sorrows of war. In truth, a play about war (rather than a lion hunt, say, another ancient theme) will always be of the moment: Achilles mutilating Hector’s corpse; a British soldier giving a thumbs-up over the body of a dead insurgent.
A review of Zen Master Tova Tarantino Toshiba – The Illustrious and Delusional Abbess of Satire by Gabriel Constans
What is interesting about this book is that it is presented in such a way as to appear serious and it is only in the fineprint that fiction is mentioned (and oh, I’ve just noticed the words “delusional” and “satire” in the title). If a newbie to zen philosophy picked it up, there’s enough sentences in this book to convince them it’s non-fiction; a book to be studied and unravelled.
A review of Margarita Wednesdays by Deborah Rodriguez
I find Rodriguez’ breezy, blunt writing style to be very readable. She is an excellent weaver of a tale, readers will find their interest whetted via the uninhibited panache of Rodriguez’ writing. I like when someone, writer or not, can see their mistakes, can laugh at themselves and not resort to mawkish or maudlin behavior or writing in order to gain empathy or sympathy for their plight.
A review of Vienna – Vienna Woods By Fritz Peterka
Fritz Peterka is a native son of Vienna, and in this information-packed pocket book (measuring about 16.5cm x 11.5cm) he describes 50 walks that can be taken in and around the Austrian capital.
An interview with Allen Wyler
The author of Deadly Odds talks about how he comes up with his story ideas, his protagonist, on choosing Vegas as his setting, on the attraction of the thriller genre, on the upcoming sequel, on the book’s cinematic potential, and more.
A review of Act of Fear by Michael Collins
All the characters are terrific, utterly convincing; there is an authentic sense of place: Chelsea, N.Y., a blue-collar neighbourhood where authority figures, police officers most of all, are treated with suspicion; and there’s Fortune’s voice, streetwise but by no means hard-boiled, compassionate yet missing nowt. And with a nice line in epigrams: ‘A man in prison needs a human word.’ ‘Unanswered questions are like lurking monsters.’
Shakespeare As the Father of Us All: On Romeo & Juliet, As You Like It, Much Ado About Nothing, and At Any Price, Bamako, Cesar Chavez, The Darjeeling Limited, Prisoners, Thurgood, and The Wolf of Wall Street
Shakespeare writes about human emotion and impulse in a heightened realm, a realm of people with liberty and power, people of mind and passionate expression. Shakespeare gives us a language that is complex, eloquent, and true, a language to savor.
Masterchef Julie Goodwin on 20/20 Meals
Masterchef and author of 20/20 Meals Julie Goodwin talks about her new cookbook, about her journey from being a keen home cook to becoming a Masterchef and of making a business out of cooking, about the way in which food is…
A review of We Walk Alone by Mariah E. Wilson
The poems in We Walk Alone by Mariah E. Wilson, remind me of the great writer John Edgar Wideman’s description of one of his characters in his Damballah. Wideman writes, “He has the gift of feeling. Things don’t touch him, they imprint.” Wilson, too, has the gift of feeling. Things don’t touch her, they imprint. For evidence, read her poetry.