The Bostonians, a relatively early HJ novel, was published in book form in 1886. (It was originally serialized — as common in the Victorian era — in a magazine over 1885-86.) HJ was born in New York City, but took up residence in England, and had not been to the USA since about 1880. (He did not re-visit the USA until 1905.) With all the detailed descriptions of Boston, New York City, and Cape Cod, I would say that the work is a kind of tour de force, considering how many years HJ had been removed from the locales of the story. One feels very present in the 19th-century streets and landscapes that he writes about.
Tag: fiction
A review of Cog by K Ceres Wright
We are all simply cogs in a global machine, and nowhere is this more apparent than in Cog. At first glimpse it is a somewhat ordinary story of revenge, greed and power set against a futuristic backdrop. And yes, at its core, Cog is a classic story of family dysfunction with some James Bond-esque thrills and rather groovy technology thrown in.
Review of The Wicked Girls by Alex Marwood
The sensationalism of the tabloids further degrades society. Kirsty is low on the journalism food chain and must write what fits her newspaper’s slant: “Her job is to find fifteen hundred words of the sort of Sunday feature that makes readers feel better about their own lives…No town where a killer is on the loose is allowed to be a nice town; it’s an unwritten law.” Later in the novel, when a serial killer is caught, the media whips the public into such a frenzy that a mob pursues his common-law wife after she visits him in jail.
A review of The Glass Ocean by Lori Baker
The idea of a voyage as a way to truth, freedom and happiness is present throughout the novel. Glass, too, lends itself to metaphor, with Clotilde’s delicacy and the fragility of the marriage being just two examples. The dark underworld of Whitby echoes and reinforces the characters’ hidden emotions. Descriptions of craftsmen’s workshops, scientific curiosities, and street life let readers glimpse the lives and preoccupations of some Victorians.
A review of Troubled Daughters, Twisted Wives by Sarah Weinman
The launch of Ellery Queen’s Mystery Magazine in 1941 was a break-through for women writers in that the editors published not only hardboiled and noir detective fiction, which was mostly written by men, but also domestic crime and suspense stories, at which women excelled. Weinman’s authors won “Edgar” nominations from the Mystery Writers of America, founded in 1945. Some of them wrote best-sellers, including novels that became motion pictures (such as Vera Caspary’s Laura). In Weinman’s view, these authors are no longer remembered, unlike some male writers like Dasheill Hammett and Ross Macdonald, because their domestic subject matter has not been taken seriously.
A review of Cast in Sorrow by Michelle Sagara
In parting, Cast in Sorrow was an excellent book which will unarguably make up for the upset a lot of people felt with Cast in Peril; several key plot threads are covered, we are introduced to amazing new characters and the story is just great. As usual with “The Chronicles of Elantra”, as soon as I finish a new book, I can’t wait for the next.
A review of Greenwood Tree by B. Lloyd
One of the attractive features of the novel is the use of old style font for some of the 1780s passages, and the illustrations in silhouette, popular in the 18th century. The novel is smoothly written, the 1920s slang authentic-sounding.
A review of Maddaddam by Margaret Atwood
The world of Maddaddam is harsh and often ugly world – particularly the Painballers – a group of criminals who have survived their Hunger Games style imprisonment a number of times and have lost their ‘humanity’ in the process. However, in spite of some pretty gruesome episodes, ultimately the story is a redemptive and satisfying one. The Craker’s naivety is charming, and beyond Toby and Zeb, the characters are delightfully Dickenesque – turning to fizz, flirting in scientific jargon, and cooking up a storm with weeds and lab-grown splices.
A review of The Chaperone by Laura Moriarty
Laura Moriarty’s three earlier novels are well worth reading. My favourite of these earlier works is While I’m Falling. The Chaperone, however, is broader in scope and required more research than the earlier works. It is a maturation story which interweaves the themes of racial equality, adoption policy, human sexuality and women’s autonomy. The Chaperone will make readers question their assumptions and preconceived notions.
A review of The House at the End of Hope Street by Menna Van Praag
The presence and influence of so many great women, nearly all of whom reveal their own struggles with insecurity and self-doubt, only strengthens the book’s overall message. This is a delightful, one-of-a-kind book. I rarely find a book where I actually want to crawl inside of the place, listen in on some conversations, and get to know some of the characters, but I found myself doing that with The House at the End of Hope Street.