A review of Jack Skelley’s Interstellar Theme Park: New and Selected Writing

How Skelley is able to write lines that simultaneously describe, illuminate, juxtapose, and contradict is anyone’s guess. There is an intimacy, a voyeuristic quality to this work overall, as we turn each page, as if we’ve happened upon these poems, found them stashed away in a jean jacket pocket or borrowed them from a friend, like that treasured indie rock vinyl record. The lines are meant to be savored and shared. This is a collection that slows down time, forces the reader to stop and linger awhile.

A review of T by Alan Fyfe

Fyfe does a terrific job in capturing both the seductive pull of T’s need and his rapid decline and things begin to disintegrate. Told in third person narrative, with T’s point of view, the story follows T’s various attempts to score, sell, find a place to live, and in some odd way, to find meaning. To say that T’s world is grungy would be an understatement, but Fyfe’s writing is consistently rich and poetic.

A review of Refugee by Pamela Uschuk

As Uschuk probes the wounds of contemporary existence, we see how deeply she understands human suffering. Fortunately for readers, the author also brings abundant love for this difficult, complicated world that somehow keeps going. As “The Essential Shape” (100) reminds us, “Spinning, the earth begins” again, and “shapes itself with fingers of light.”

An interview with Kelly Weber, author of We Are Changed to Deer at the Broken Place

The author of We Are Changed to Deer at the Broken Place talks about her latest book and how it evolved, her composition process, on writing about alternative erotics in kindship with the ecological world and in platonic relationships, on family stories that directly and indirectly teach about power dynamics, gender and sexuality expectations, and wounds, mythology and symbolism, and lots more.

A review of The Misconceiver by Lucy Ferriss

It’s gobsmacking how much author and prognosticator Lucy Ferris got right in this book, first published in 1997 and reissued in the wake of the Supreme Court’s reversal of Roe vs. Wade. Ubiquitous online access, electronic payments, electric vehicles, environmental destruction, codified discrimination against gays and lesbians — the Lucy Ferris of the 1990s foresaw this current, fraught decade with uncanny accuracy.

A review of Bad Art Mother By Edwina Preston

There is so much about this book that is compelling. It manages to be both funny and tragic at the same time, without stereotypes or polemic. Though there are moments of bad behaviour on the part of pretty much every character, nothing is over-simplified. There are as many different ways to create art, from Jo’s food or charity work, to the Mirka Mora styled murals of Jo’s waitress Rosa, or the ikebana flower arrangements of Mrs Parish, as there are ways to be a partner, a parent, or a patron.