Comic Voice, Tragic Vision: Modest Mouse, We Were Dead Before the Ship Even Sank

The singer offers gifts, offers to be cordial, but expects no good: “Let’s shake hands if you want but soon both hands are gone, ha-ha-ha!” Is the narrator mad, without logic, or is the world? “Well we all stumbled round tangled up in the cords from our phones, VCR, and our worldly woes,” he sings. Is the technology of the world—the abundance of the world—resource for the fulfillment of purpose; or disguise, distraction from deep purpose?

All Your Friends and Sedatives Mean Well: Cassadaga by Bright Eyes, featuring Conor Oberst

There is an instant when a musician’s work can seem to embody his time, the most important aspects of his culture’s current history, but if he does not change, does not grow in fresh ways, he begins to embody not the present but the past. Yet, the growth of an artist must be true to the mind and nature of the artist rather than a fulfillment of the wishes of audiences and critics; and, sometimes, the best artists give us desires and pleasures we did not anticipate.

A review of Merle’s Door by Ted Kerasote

In the small Wyoming town where much of this story takes place, there were no great concerns about dogs and they roamed free, able to associate with each other and with the people of the town. This worked in a community in which automobile traffic was slight and everyone knew everyone else although Kerasote describes a similar and much larger community in the French Alps where much the same canine freedom obtained.

A review of A Spot of Bother by Mark Haddon

But while the themes are serious, A Spot of Bother is anything but bleak, or dour. Right from the first moments of the book, there is humour. For example, when George goes to visit a Psychiatrist about his depression, he tells him he’s been taking antidepressants: “He decided not to mention the codeine and the whisky” and Dr Foreman tells him that the side-effects are “Weeping, sleeplessness and anxiety.”