A review of Re’enev by Mike Maranhas

Luke Ferless is a compelling narrator to begin with. He attempts a kind of honesty, addressing the reader as if we were his analyst, trying to uncover his reasons and motivations as he addresses his actions in the present in terms of his past. Luke’s rich vocabulary and detailed self-analysis, add to his charm, but despite it all, there seems to be an underlying self-doubt and unconscious misogyny that undermines his justification.

Illumination, An Internet Interview with Greg Thomas: On Culture and Canons, On Jazz and Being an African-American Male

Gwendolyn Midlo Hall in Africans in Colonial Louisiana: The Development of Afro-Creole Culture in the Eighteenth Century (Louisiana State University Press, 1995), William Pollitzer in The Gullah People and Their African Heritage (University of Georgia Press, 1999), and editor Jacob Gordon with The African Presence in Black America (Africa World Press, 2004)—have focused on African cultural habits and values that long survived in America; and, as much has been written regarding the lives, artistry, and politics of the descendants in America of enslaved Africans and free blacks, that is of African-Americans, many of whom had and have complexions more diverse than the word black would indicate, most of what is written now about African-Americans is little more than a footnote: and those who add something comprehensive or new to public knowledge must be commended. Greg Thomas’s essay on canonization in jazz and literature respects both aesthetics and the context in which art is created and valued; and the essay is a fine piece of critical commentary, clear, reasoned, sure; and it identifies Marsalis and Gates as cultural heroes—not simply in light of their good intentions but in light of their genuine achievements…

Interview with Dr Ruth Wajnryb

Collins’ language consultant, Dr Ruth Wajnryb talks about the making of the latest dictionary, being a professional eavesdropper, on the perishable language of youth, the metrics of word inclusion, the use of language for manipulation, the language of silence, how we should all use dictionaries, her next surprising project, and lots more.

An Interview with James Sallis

James Sallis is pretty much the complete man of letters. Probably best known as a crime writer – in which role Ian Rankin has called him “one of the best of the best” – he has written sci-fi and literary fiction too. His non-fiction includes poetry, biography and criticism. And nor should one overlook here his work as a translator: if you should ever read Queneau’s Saint Glinglin in English, in the edition published by Dalkey Archive Press, you will be reading James Sallis’ prose. This wide-ranging interview – touching on various aspects of Sallis’ work and life, on the writing process itself and on the fate of the city of New Orleans – took place in July 2007.