A review of The Confessions of Owen Keane by Terence Faherty

The stories are indeed rather special and they develop the crime genre in a fascinating direction. Owen Keane fulfils many of the roles of a priest – he offers pastoral care to his “parishioners” and feels an imperative to save or rescue them. More often than not, it is he who decides when and how to offer help, responding to a need that is not apparent to others.

Interview with Tony Nesca

Tony Nesca, born in 1965, is the author of many books of fiction and poetry. As the reader will perceive, he is a writer who believes in the primacy of the unfettered imagination and the untrammeled life. In this candid interview, he talks about Winnipeg, Italy, influences, conventional publishers, on the neglect of Canadian authors, and much more.

A review of Aphelion by Emily Ballou

Ballou has created a much more complex novel in Aphelion than in Father Lands, but it’s no more difficult to read as a result. The complexity of time, place and multiple view points is dealt with sensitively and with a sophistication that is always tempered by Ballou’s great love of character and language, and an undercurrent of enduring humour that’s never far beneath the surface.

A review of The Do-Nothing Boys by Tony Nesca

Some of this novel is clumsy and a little repetitive, but the ferocity of Nesca’s writing is indomitable and covers weaknesses with something that approaches indisputable glory. He is a poet writing prose and dealing with material that is so close to him that he often struggles to manage it objectively. It is raw honesty from one of life’s damaged angels and worth your attention.

A review of Future Perfect by Robyn Williams

With a hefty dose of humour, the reader is encouraged to consider the impact of what we do today on how the future might look. While the book isn’t didactic, and is often jocular, Williams makes it clear that whether or not the human race survives, and in what shape, is something that we have to imagine and work towards.

A review of Missy Higgins – On A Clear Night (Special Concert Edition)

On On a Clear Night, Higgins manages to toe the perfect line between playful, heartfelt, and above all, intimate, even when she’s getting down. The repetition of lines (“it’s not my fault; it can’t be my fault”), slightly off rhymes (“I follow complications like a bloodhound/So pick me up, twist me round, and throw me all the way back down”) and the twist of Higgins’ strong accent and that unusual lilt at the end of her lines, makes On a Clear Night an original offering.

A review of The Happiest Days of Our Lives by Wil Wheaton

I’ve been reading his blog for so long now that calling him Wheaton, or Mr. Wheaton is just as odd as trying to call my junior high teachers by their first names now that I’ve grown. From that standpoint, The Happiest Days of Our Lives reads for me less as an autobiography than as stories being swapped over beers by a couple of old friends remembering the Good Old Days.