Let me come clean and admit that I didn’t quite follow the plot; indeed, in places I found it quite perplexing. But I read on because I was held by le Carre’s world, precarious and peril-ridden. He writes at one point that ‘silence, not gunfire, was the natural element of the approaching enemy’ and he uses this element too.
A review of Prayers waiting for God by David Barnes
The blurb on the back says it all: “This is David Barnes’ first and last book.” That David ever came to be a poet is a kind of miracle in itself. He’s an unlikely candidate. A ward of the state, placed in institutions and physically and sexually abused – there was little likelihood that he would become a functioning adult, let alone a loving one who could have a happy relationship, a much-loved son a self-deprecating sense of humour – or a writing career.
A reviw of Spirit Junkie: A Radical Road to Self-Love and Miracles by Gabrielle Bernstein
In our busy world where achivement and ticking boxes seems to take priority over everything else, the message is a critically important one, however it’s delivered. Call it “ego”, or fear, or self-sabotage, and talk about God, spirit, ‘-ing’, or simply our own inner, innate capabilities. It doesn’t matter. What does matter is that Bernstein’s book is powerful and effective, infused with extraordinary energy and passion.
A review of Sculpting the Heart: Surviving Depression with Art Therapy by Joyce White
The book is an encouragement to risk, go deep, and try new ideas. Practising what she preaches, White opens up about her own struggles with depression, divorce, and health problems. Despite the honesty that underlies the book, White is never dour, using herself as an example, and asserting the unique voice that every person has.
Memory, Time Travel, Terrorism, Romance, and Gyllenhaal: Source Code
Will the film seem visionary or shallow to people alive in the future? It is perfectly entertaining to me, and there are aspects of it that are provocative. How much responsibility does one want to take for others? Is it possible to stop unpredictable and uncontrollable disturbed individuals who intend to do things that put the mass public at stake?
The Abundant Spirit of a Poor Girl: Winter’s Bone
What intelligence or strength exists in such persons and lives can feel like the grace of divinity, though it is really a sharpened survival instinct that refuses to die, that insists that it will do everything before it gives in—that, in fact, it will never give in but must be destroyed by greater and more relentless forces. In the film, the young woman, Ree, not yet eighteen, visits the friends and relatives of her father, asking questions, looking for clues.
A review of The Dashwood Sisters Tell All by Beth Pattillo
Pattillo includes enough references to important British landmarks to keep both Anglophiles and Jane Austen fans engaged in the plot. The Dashwood Sisters Tell All is a fun and intelligent nod to the great novelist, and modern-day audiences may want to read out Austen’s works to understand why she remains such an inspiration to today’s writers.
A review of The Lost Stories (Ranger’s Apprentice #11) by John Flanagan
The stories read quickly, and are very easy to follow and get into, which speaks to the appeal these books have for reluctant readers. There is a good mix between action, reflection, and dialogue, and the stories are well written, with the wholesome theme of good conquering evil in a variety of forms keeping everything positive without descending into corniness.
Interview with John Flanagan
John Flanagan talks about his 11th Ranger’s Apprentice book, The Lost Stories, the 12th book and its potential setting, his characters, the upcoming film, his new series Brotherband, and lots more.
The Spanish Element: Don’t Let Me Drown, a film by Cruz Angeles; and Sugar, a film by Anna Boden and Ryan Fleck
How can we pretend as if everyone has an equal chance in life? There is a willful forgetting involved in the sustaining of many of our trumpeted principles; and Sugar is an act of sympathetic remembrance. Both Don’t Let Me Drown and Sugar are immigrant stories, humble and profoundly American stories.