The author of Foot Soldiers talks about his latest novel, how he began writing, about the basis for his book, influences, his other work and work-in-progress, his striking covers, his challenges and lots more.
A review of The Bostonians by Henry James
The Bostonians, a relatively early HJ novel, was published in book form in 1886. (It was originally serialized — as common in the Victorian era — in a magazine over 1885-86.) HJ was born in New York City, but took up residence in England, and had not been to the USA since about 1880. (He did not re-visit the USA until 1905.) With all the detailed descriptions of Boston, New York City, and Cape Cod, I would say that the work is a kind of tour de force, considering how many years HJ had been removed from the locales of the story. One feels very present in the 19th-century streets and landscapes that he writes about.
A review of Cog by K Ceres Wright
We are all simply cogs in a global machine, and nowhere is this more apparent than in Cog. At first glimpse it is a somewhat ordinary story of revenge, greed and power set against a futuristic backdrop. And yes, at its core, Cog is a classic story of family dysfunction with some James Bond-esque thrills and rather groovy technology thrown in.
Don’t Let the Wind Catch You with Aaron Paul Lazar
The author of Don’t Let the Wind Catch You reads from and talks about his newest LeGarde mystery book, his protagonist Gus, his other mystery series and the lure of the genre for him, the secrets of his proflic output, the intersection…
A review of Street to Street by Brian Castro
Though Street to Street often presents a bleak view, with university bureaucrats stifling creativity, talent thwarted and wasted, and beauty and love destroyed through lack of focus, it does seem to me to end on a very positive, and deeply tender note. The real richness of this novel begins and ends with language and the power that attentiveness to it has to overcome the foibles and day-to-day emptiness that seems to take hold of the two protagonists in this book.
Review of The Wicked Girls by Alex Marwood
The sensationalism of the tabloids further degrades society. Kirsty is low on the journalism food chain and must write what fits her newspaper’s slant: “Her job is to find fifteen hundred words of the sort of Sunday feature that makes readers feel better about their own lives…No town where a killer is on the loose is allowed to be a nice town; it’s an unwritten law.” Later in the novel, when a serial killer is caught, the media whips the public into such a frenzy that a mob pursues his common-law wife after she visits him in jail.
A review of The Glass Ocean by Lori Baker
The idea of a voyage as a way to truth, freedom and happiness is present throughout the novel. Glass, too, lends itself to metaphor, with Clotilde’s delicacy and the fragility of the marriage being just two examples. The dark underworld of Whitby echoes and reinforces the characters’ hidden emotions. Descriptions of craftsmen’s workshops, scientific curiosities, and street life let readers glimpse the lives and preoccupations of some Victorians.
A review of Don’t Let the Wind Catch You by Aaron Lazar
The warmth between the characters, the families, and the characters they meet is obvious in this tight-knit community, with the mystery unfolding gently. The book doesn’t shy from real issues, including homophobia, historical lies, murder, betrayal, and massacre, everything unfolds so gently, and with such good humour, that reading the book is an absolute joy. Despite the serious issues that the book addresses, this is as suitable for a young adult reader as for an adult, and will appeal to wide audience. It’s clear that Lazar has come to know and love his characters and every time he revisits them, he brings out new nuances and depths, so that returning to a Gus Lazar mystery is like meeting an old friend once again.
Interview with Sarah Weinman
The author of Troubled Daughters, Twisted Wives talks about the inspiration for her new anthology, the genre of “domestic suspense” and its relationship to other kinds of crime fiction, the author in her collection she would like to see gain more credit, her early influences, on gender and genre, the influence of war on fiction, and lots more.
A review of Troubled Daughters, Twisted Wives by Sarah Weinman
The launch of Ellery Queen’s Mystery Magazine in 1941 was a break-through for women writers in that the editors published not only hardboiled and noir detective fiction, which was mostly written by men, but also domestic crime and suspense stories, at which women excelled. Weinman’s authors won “Edgar” nominations from the Mystery Writers of America, founded in 1945. Some of them wrote best-sellers, including novels that became motion pictures (such as Vera Caspary’s Laura). In Weinman’s view, these authors are no longer remembered, unlike some male writers like Dasheill Hammett and Ross Macdonald, because their domestic subject matter has not been taken seriously.