Category: Book Reviews

Book Reviews

A review of The River Baptists by Belinda Castles

Castles creates mood skilfully, as in the opening chapter where Danny and his father are fishing in their little boat. The blood on his father’s t-shirt from the worms and other creatures is symbolic of the man and his relationship with his family. The details of the community and the people who live there produce a sleepiness that is tinged with menace. There is much that moves under the surface of the water, occasionally bursting out to wreck havoc.

A review of The Court Poetry of Chaucer by James Dempsey

With the original easily available, the reader can with only slight adjustment connect to the original. If Dempsey’s version is a crutch, it is a comfortable and useful one. The versification is consistent and its occasional use of phrases with a modern topical allusions is amusing, a kind of sly wit that Chaucer would appreciate.

A review of Paradiso by Dante Alighieri

To read Paradiso by itself is a novel experience and well worth the special attention that it requires. This translation is exceptional and among so many stands out as particularly splendid and true.

A review of Chess Informant 99 by Zdenko Krnic (ed)

Chess Informant 99 is pretty much chockful of great chess, of information, instruction and entertainment. It pleasantly allows you to keep up to date with what the best contemporary players are doing and to feed your fix for current developments in opening theory as well. If you are at all serious about chess, you will want to own a copy.

A review of The Great Big Show by Justin Lowe

It’s as if the characters function as a kind of strophe and antistrophe — the male voices pressing on with the war and the females analysing, wondering, and in their own way, pulling back even as they participate. The tension between these dispersed voices drives the narrative forward and helps give the story a drama which goes beyond the action on the battlefield.

A review of Garibaldi: Invention of a Hero by Lucy Riall

Riall sees the mythos of Garibaldi as an effective if unrealistic public relations tool. His frequent intransigence and independence was as valuable as if he had been the brainless tool of Cavour, Cavour’s successor, or Vittorio Emanuele. In the pursuit of her message she inundates the reader with trivia, which, however relevant, could have been more effectively presented.