Nakamura’s prowess in the endgame, his opening repertoire and in particular his penchant for the King’s Indian Defence, the risk taking and fighting spirit that’s so characteristic of his style, and of course his enthusiasm for bullet and blitz: these are some of the topics under discussion. A wide-ranging interview takes up the bulk of chapter 6.
Category: Book Reviews
Book Reviews
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On Gertrude Stein, and Tragedy and Transcendence in Stein: Writings 1903-1932
In reading some of the description of Gertrude Stein’s life, and how she came to be an art patron—a friend to artists, an owner of their work, a facilitator of relationships—I was impressed by how intimate and simple were the lives of now famous artists, how vivid the memory. One artist spreads news of the work of another artist, Pissarro talking with others about Cezanne; or one gallerist, Vollard, introducing Cezanne, Daumier, Manet, Renoirs, and Gauguin to those who might appreciate them.
A review of Fast Fiction: A Guide to Outlining and Writing a First-Draft Novel in Thirty Days by Denise Jaden
The book is designed to be used in a kinaesthetic way – through practical exercises that take the writer from the brainstorming of story ideas through to a three-act plot, writing a workable synopsis, creating characters, working up dialogue, themes, setting, building conflict, using symbols, setting scenes, and working up a cohesive story plan (call it an outline if you want). All of these are elements of good fiction, and Jaden covers them in a surprising amount of detail and in a way which is not facile at all.
A review of Rare Breeds by Terry Bridge
All in all the book is well written, provides a wealth of information regarding many agricultural animals, is filled with many photos of animals often not seen any more. Humans have long bred critters to improve productivity, the few breeds used today mean many of the rarer, interesting breeds are being ignored. Realizing the importance of maintaining gene pool capability enables enthusiasts who are setting up small breeding programs to conserve for the future farm animals for future generations to know and enjoy.
A review of American Sycamore by Karen Fielding
American Sycamore is as intimate as a chat with a friend or a reminiscence on a summer evening in a big comfortable armchair on the front porch. While reading, you physically sense the smell of the river, and the insects. You feel the place. You want to hold this book, carry it around to accidentally open, and read new stories.
A review of More Generals in Gray by Bruce S. Allardice
Not only does Allardice bring to the fore the lives of these men, but, he clarifies the procedure for achieving rank during the period including that the procedure of becoming a general was often filled with prompting carried out by the man himself, or his friends, or men with whom he served, and the like; as well as unassuming coincidence of time and place with need leading to the ranking General brevetting to brigadier as well as maneuvering, politics, simple chance, or his service in state militia with accomplishment of rank there and carry over to Confederate records, politics, and even mismanagement.
Vanessa Berry on Ninety 9
The author of Ninety 9 reads from and talks about her new book, about band t-shirts, growing up in the 1990s (and what has and hasn’t changed), on the joy of ‘zines, on the conjunction of the mythical and the…
A review of The Frugal Book Promoter by Carolyn Howard-Johnson
Ignore this kind of stuff and unless you win some kind of book lotto, your book will almost certainly fall into the obscurity that is an ever-present risk of modern authordom. What I like best about Howard-Johnson’s book is the simple, informal prose which is both warmly reassuring (‘of course you can do this’), and deceptively intelligent. The reader is encouraged and reminded of his or her own innate capabilities even as they’re goaded onto to raising the bar.
Some of the Art Notes of A Solitary Walker: On Richard Powell’s Black Art and Culture in the 20th Century and Other Great Artists
I think that when I first began to visit galleries and museums regularly, I would spend as much time reading as looking at the art: the art descriptions, whether in sheets of descriptions and lists or wall labels, were read for whatever information or insight they might give. I could spend three hours or more at a museum, seeing each thing, reading about each thing, and leave exhausted, my eyes red, my legs stiff. It took time—maybe years—for me to begin to relax, and just look at the art, allowing what was interesting to hold my attention, and what was not as something I could pass quickly and guiltlessly.