In this entertaining and creative novel, Castrodale smartly weaves together modern and classical literary takes on potions and tonics, nature and nurture, motherhood and friendship, grieving and healing, and the perils of trusting the wrong people while distrusting one’s own instincts.
Category: Literary Fiction Reviews
A review of Zero at the Bone by Christian Wiman
Poetry gives suffering form, and giving suffering form is an antidote to despair. Yet content matters, too. For Wiman, much confessionalism is “an idolatry of suffering…an outrage that no person (or group) has suffered as we have, or simply a solipsistic withdrawal that leaves us maniacally describing every detail of our cells.
A review of Lucky by Jane Smiley
Smiley’s underlying theme, however, is the precariousness of this immortality. While presenting Jodie’s maturation as a woman and artist, she quietly notes some major historic events of the passing era.
A review of On Earth We Are Briefly Gorgeous by Ocean Vuong
The story begins as a huge flight of monarch butterflies starts their yearly migration to the south. This is a metaphor for Vuong’s migration to America from Vietnam. When the book reaches its final pages, the flight of the monarch butterflies is resumed, and we can see and hear them beating their wings in unison as they continue their journey, many dropping to their deaths en-route.
A review of The Leaves by Jacqueline Rule
Jacqueline Rule makes good use of her legal experience in Luke’s story, which is tragic, spotlighting just how broken the foster system he ends up cycling through is, or how brutal the legal detention system, and the way in which it traumatises rather than helps the young people caught in it.
A review of Turn Up the Heat by Ruth Danon
Light and heat serve as central metaphors for comfort. They represent the warmth Danon so desperately craves as an antidote to the cold she fears. Her fear is deeply rooted in the uncertainty and anxiety that accompany illness and hospitalization.
A review of Review of Pigeon House by Shilo Niziolek
Niziolek does not play safe with any of her stories; ‘The Fisherman’s Wife’, for example, at first appears like a folkloric tale told many times before, but Niziolek’s vengeful twist provides this tale with a squeeze of lemon. There is something gloriously satisfying and almost palate cleansing in the way Niziolek seeks to subvert her reader’s expectations.
A review of Passenger by Cormac McCarthy
In the interest of full disclosure (and how seldom we hear of disclosure that is not full), I didn’t like the authorial voice of The Passenger from the first page. But we’ll come to Alicia and her troubles later. To continue with the discussion of signifiers, here we have an author steeped in Americana: the American story, as understood by America, and the cultural signifiers best known by Americans.
A review of Prétend by Arielle Burgdorf
I love this book. It is located at the crossroads (if not terminus) of cultural appropriation, mistranslation, gender and identity fluidity. Carrère’s fake identity novel, the brilliantly glib aspersions of Nightwood — all this and more are revivified in Arielle Burgdorf’s masterful take on identity in an increasingly amorphous world.
A review of Red Milk by Sjón
Though I can understand, and perhaps even entertain, Sjón’s intentions regarding his latest work, I think that both the writing style and characterization seem a bit too simplistic, falling flat in the end and leaving the reader feeling that this could be much more intriguing if the Icelandic wordsmith followed his traditional recipe, creating sentences that urge you to read them aloud in order to bask in their brilliance.