Category: Literary Fiction Reviews

A review of The Bone Picker by Devon Mihesuah

While this book is a clear indication that Choctaws also like to tell each other scary stories, the implication of that line is that Choctaws have many stories. But when these narratives diverge from Anglo-European expectations, settlers and their descendants almost immediately force them into gothic or horror storytelling structures.

A review of Foreign Attachments by Roslyn McFarland

Foreign Attachments is beautifully written, with a great attention to detail and obvious research that brings the characters to life. Jean Rhys is a particularly interesting and tragic character in this rendition with plenty of intrigue left to the reader’s imagination, though I dare anyone to read Foreign Attachments and not give into the temptation to not only begin looking closer at Stella Bowen’s paintings but also exploring Rhys’ story and the work, not so well read these days, of Ford Madox Ford.

A review of Zeke Borshellac by James Damis

The book is a lurid purple-prosed comic masterpiece. I have not had as much pleasure reading a deep dense novel like this since The Sot-Weed Factor, A Confederacy of Dunces, Tristam Shandy, Quixote, Auto-da-fé, Joy Williams. The lietmotif of the book is wretched comic human excess. And ambition. And language! Borshellac begins his self-transformation as a stowaway on a fishing vessel, where he ineffectually disguises himself as a man-sized perch, lolling among the mountainous heaps of fresh-caught fish.

A review of The Thirty-One Legs of Vladimir Putin by PS Cottier and NG Hartland

Each lookalike has his own particular story which is partly informed by location and partly by circumstance. The pieces appear quite distinct but they begin to overlap as the book progresses, forming a coherent whole that twists back on itself in uncomfortable ways. The end result is an overarcing pattern that creates a bigger story, linked not just by the missing character of Putin but also by the way the characters, their settings, and the story’s time progression intersect.

A review of Juice by Tim Winton

There has been much made of Juice being a departure for Winton and there’s no denying that this is a different setting to most of his work: the small towns of present day Western Australia. This is set in the ravaged future, but the writing is classic Winton. The location does seem to still be WA, with a rich, if tortured, setting with human relationships at its core. These are mostly familial: a boy and his mother, a child and her carer, two parents and a young child – all recognisable and all rich with the complexities of those relations under the duress of environmental disaster.

A review of Boysgirls by Katie Farris

Farris successfully grabs onto the reader and throwing them into the center of the action, along the meta, fourth-wall breaking asides that forces the readers to interact and not just observe. These unnamed characters who are often referred to their functions have broken through those constraining words. These forms created new life, new beings, and new meanings to what literal hybrid forms as Farris proves new literature should be just as bold as she demonstrated.

A review of What Could be Saved by Gregory Spatz

Spatz does an incredible job overlapping themes through the four short stories. Each entry feels like it’s picking up a thread from the previous story and then using that same thread as a baseline or expanding further on it. It also adds to the re-readability of this collection as in “What Could Be Saved”, “We Unlovely, Unloved”, “The Five”, and “Time and Legends” there are whiffs of reoccurring characters or motifs.